I recently met a YA librarian who recommended The Book Thief. It was already on my Fill In The Gaps list since it won awards and other people had mentioned they enjoyed it. Like 80% of the other books I read I didn't really know what The Book Thief was about. It's about a young girl growing up in Germany at the start of WWII. Yeah you knew that eh?
The book is narrated by Death. At first I wasn't sure that was going to work for me, but quickly got used to Death narrating. Death narrated in both a impersonal (this is how it happened) way and a deeply personal way. Death had a great way of going back and forth on his narration.
The main character, Liesel, lived in this deeply depressing town with little happiness. As she learns to read she finds other ways to escape from the dreary existence of her life and makes true friends along the way. But rather than losing herself in a good book, those books create bridges to other people. I think my favorite part is when she reads to everyone in the basement during the raids. As she reads people become focused on her words and the story and forget the bombs outside.
The writing is so beautiful. Despite that the setting of a war torn country, Zusak makes the landscape come to life. The town was definitely another character, the buildings and the streets became real in my mind. I enjoyed the little asides that were strewn through the book. It made the book less depressing. Honestly, I did enjoy it especially the last 200 pages or so. Before that eh. I liked the writing but I wasn't feeling it as much. I think I was afraid to care about the characters too much because you know something bad is going to happen to them. But the characters beat me down in the end and I was drawn into their lives. Overall I enjoyed it but still kind of pissed that I only got one page of what happens to Max and that did not answer my questions.
Showing posts with label *Markus Zusak. Show all posts
Showing posts with label *Markus Zusak. Show all posts
Saturday, June 5, 2010
Monday, October 5, 2009
Review: The Book Thief, by Markus Zusak
I've long said that books don't make me cry. They don't! The Olympics, yes. Kodak commercials, yes. But books? Never.
Well.
So The Book Thief is set in a town outside Munich during World War II, near enough to see the Jews and Communists march by on their way to Dachau. The protagonist is a young girl for whom storiesbooksbecome a lifeline. She has secrets and friends and secret friends. There are villains, big and small. Words are used as a sword and a shield. The sky is white or gray or yellow.
It's a story told by Deatha convention that might seem gimmicky in other hands; I could describe Zusak's style better if I knew how to make an adjective out of the word "Vonnegut." Death doesn't like surprises, apparently: He tells exactly what's going to happen to whom, in the pages aheadbut somehow you feel compelled to find out why and how, in spite of the dread. Zusak triumphs in presenting a heartbreaking and haunting work without resorting to the blatant emotional manipulation of a twist ending or artificially prolonged denouement.
Marketed as a novel for adults in the author's native Australia, The Book Thief may be missed by adults in the US due to Knopf's decision to market it here as a book for teens. This is unfortunate. I can't imagine processing the full richness and poverty of this story without the benefit of hindsight, or without having paid the cost of experience.
It's the kind of book that makes it hard to choose a next book, because it stays with you for days.
Oh, and about the crying? Never say never...
Well.
So The Book Thief is set in a town outside Munich during World War II, near enough to see the Jews and Communists march by on their way to Dachau. The protagonist is a young girl for whom storiesbooksbecome a lifeline. She has secrets and friends and secret friends. There are villains, big and small. Words are used as a sword and a shield. The sky is white or gray or yellow.
It's a story told by Deatha convention that might seem gimmicky in other hands; I could describe Zusak's style better if I knew how to make an adjective out of the word "Vonnegut." Death doesn't like surprises, apparently: He tells exactly what's going to happen to whom, in the pages aheadbut somehow you feel compelled to find out why and how, in spite of the dread. Zusak triumphs in presenting a heartbreaking and haunting work without resorting to the blatant emotional manipulation of a twist ending or artificially prolonged denouement.
Marketed as a novel for adults in the author's native Australia, The Book Thief may be missed by adults in the US due to Knopf's decision to market it here as a book for teens. This is unfortunate. I can't imagine processing the full richness and poverty of this story without the benefit of hindsight, or without having paid the cost of experience.
It's the kind of book that makes it hard to choose a next book, because it stays with you for days.
Oh, and about the crying? Never say never...
Labels:
*Markus Zusak,
*The Book Thief,
Rachel
Thursday, July 2, 2009
One more down. . .

You can read my reviews here or here
Labels:
*i am the messenger,
*Markus Zusak,
Emily Cross